The Excellent Evolution of ‘Bill and Ted Face the Music’

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Time journey turns into a household affair in Bill and Ted Face the Music, the long-awaited third movie in the widespread Bill and Ted comedy franchise. Fans will not be upset: the movie is most glorious, capturing that very same breezy, chaotic, let’s-just-have-fun-with-this madcap magic of its predecessors. That’s attributable to a successful script by co-creators Ed Solomon and Chris Matheson and the skillful course of Dean Parisot of Galaxy Quest fame.


This story initially appeared on Ars Technica, a trusted supply for know-how information, tech coverage evaluation, critiques, and extra. Ars is owned by WIRED’s mother or father firm, Condé Nast.

“We were trying to pay some homage to the original two [films] while making it feel like it was contemporary,” Parisot told Ars about how he approached bringing the Bill and Ted franchise into the 21st century. “The sense of humor might be a little drier and more absurd, but that’s about it.”

(Some spoilers beneath.)

In the unique Bill & Ted’s Excellent Adventure (1989), Bill (Alex Winter) and Ted (Keanu Reeves) are highschool college students at risk of flunking historical past. If that occurs, Ted’s father will ship him off to a army academy, thus breaking apart their band, Wyld Stallyns. But the band is destined to usher in a future utopia, which is now threatened. With the assist of a time machine in the type of a cellphone sales space—supplied by Rufus (performed by the late George Carlin), a messenger from the 12 months 2688—the pair travels by means of historical past, assembly Socrates, Billy the Kid, Sigmund Freud, Beethoven, Genghis Khan, Joan of Arc, and Abraham Lincoln, amongst others.

In the sequel, Bill & Ted’s Bogus Journey (1991), the boys should defeat their evil robotic doubles from the future to protect the utopian society primarily based on their beliefs. Among the highlights: Bill and Ted should play a sport (Battleship, Clue, and Twister) in opposition to Death (William Sadler) with a view to escape from hell and return to Earth to win the Battle of the Bands. The Grim Reaper seems to be a hell of a bass participant, becoming a member of Wyld Stallyns till a falling-out over his fondness for 40-minute bass solos.

Bill and Ted Face the Music revisits the BFFs as middle-aged males, nonetheless residing in San Dimas, California. They have teenaged daughters—Wilhelmina/Billie “Little Bill” Logan (Brigette Lundy-Paine) and Theodora/Thea “Little Ted” Preston (Samara Weaving)—and annoyed wives, Princess Joanna (Jayma Mays) and Princess Elizabeth (Erinn Hayes), who insist on {couples} counseling. Per the official premise:

The stakes are larger than ever for the time-traveling exploits of William “Bill” S. Preston Esq. and Theodore “Ted” Logan. Yet to meet their rock and roll future, the now center aged finest buddies set out on a brand new journey when a customer from the future warns them that solely their track can save life as we all know it. Along the means, they are going to be helped by their daughters, a brand new batch of historic figures, and a couple of music legends to hunt the track that may set their world proper and deliver concord in the universe.

“You still have Bill and Ted, but they’re now middle-aged. They’re not teenagers, but you retain the essential qualities of them—this good-hearted ludicrous optimism,” stated Parisot. “They’ve been best friends for years. They think alike, they act alike, they never doubt their friendship for a second. If those qualities came through, then you would have a Bill and Ted movie.”

Writers Ed Solomon and Chris Matheson, who created the characters all these years in the past, had lengthy needed to revisit Bill and Ted. They got here up with the plot and fundamental construction for Face the Music, however then confronted the daunting job of attempting to write down characters they hadn’t inhabited for many years. Matheson admitted he wasn’t positive it could work. “Are they going to make sense to us?” he recollects questioning. In the finish, “I wouldn’t say it was effortless, but it was like riding a bike,” he advised Ars. “They somehow still live on, and they do make sense to us.”

One factor that helped throughout the writing, in response to Solomon, was not re-watching the first two motion pictures in preparation. “I’m glad in retrospect that we didn’t, because we would have been trying to copy them too much,” he advised Ars. “We just said, where would these characters be now? Let’s just feel them that way and write from that place. So the movie has its own sensibility, and I’m proud of that.”

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