Robert Sheckley Was the Master of Dark, Funny Sci-Fi

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Robert Sheckley, writer of traditional tales akin to “Is That What People Do?” and “Can You Feel Anything When I Do This?,” was one of the prime sci-fi authors of the 1950s. Humor author Tom Gerencer corresponded with Sheckley usually for practically a decade.

“He was so open to talking to me, this nobody who just liked him, and answering my questions about writing, and about his work,” Gerencer says in Episode 475 of the Geek’s Guide to the Galaxy podcast. “He was just an amazing man, an amazing talent, but also just an amazingly kind, gracious person.”

Sheckley’s model of mordant cynicism helped pave the means for writers akin to Philip Okay. Dick, Harlan Ellison, and J.G. Ballard, and his novels Dimension of Miracles and The Prize of Peril prefigured style classics akin to The Hitchhiker’s Guide to the Galaxy and The Running Man.

“A lot of his ideas are so prescient,” Gerencer says. “He was just extrapolating, basically looking at problems and saying, ‘Well, if that keeps going in that direction, in another 50 years it’s going to be like this.’ And you look at it and say, ‘Yep, we’ve gone closer to that now. It’s worse that way now.’ So I think they’re such classics in that sense.”

Sheckley is usually remembered as a author whose skills declined over the years, however Gerencer thinks the actuality is extra difficult, and that Sheckley by no means actually misplaced his knack for humorous sci-fi. “I don’t think it was that he couldn’t do that kind of stuff later, I just think it was that he didn’t want to,” Gerencer says. “He found that kind of frivolous, and he wanted to write about things that mattered to a 70-plus-year-old man, which aren’t the same things that matter to a 20-something or a 30-something-year-old man, and those things, unfortunately, aren’t the things that a science fiction readership is going to care about as much.”

Sheckley’s work has loved a minor renaissance lately. Many of his finest tales are collected in the 2012 e book Store of the Worlds, edited by Jonathan Lethem and Alex Abramovich, and an audiobook model of Dimension of Miracles was launched in 2013, learn by John Hodgman. Gerencer says that Sheckley was a constantly ingenious author, and that something he wrote is price studying.

“I read somewhere that he’s written over 400 stories, and I feel like I’ve read maybe 150 of them, and loved them,” Gerencer says. “And I’m like, ‘Wow, there’s 250 more out there?’ I would love to discover the rest of them.”

Listen to the full interview with Tom Gerencer in Episode 475 of Geek’s Guide to the Galaxy (above). And take a look at some highlights from the dialogue under.

Tom Gerencer on discovering Robert Sheckley:

“In the course of becoming a fan of Douglas Adams, I read some interview snippets with him; I think it was in Neil Gaiman’s book Don’t Panic, which has some interviews with Douglas Adams in it. But in there, he asks Douglas Adams about Robert Sheckley—this controversy about ‘people say you’ve copied Robert Sheckley,’ and Douglas Adams is like, ‘Well, I had never read his stuff, but when I did I was like, “Wow, it’s really similar to my stuff.”‘ And so I was like, ‘Oh, really similar to Douglas Adams? Let’s test it out.’ I used to enter previous bookstores all the time, and simply look in the science fiction part, and I discovered a Robert Sheckley assortment of brief tales and beloved it, and have at all times been on the lookout for extra ever since.”

Tom Gerencer on corresponding with Robert Sheckley:

“In 1998 I was like, ‘I’m going to see if this guy is still around. Because I know his stories were written in the ’50s and ’60s, but I want to see if he’s still around.’ So I Googled ‘Robert Sheckley email address,’ and an email address popped up—an aol.com address—so I emailed him. … I struck up a conversation with him that lasted for years, and I asked him, ‘Hey, could we ever collaborate on a short story?’ And he said, yes, he’d be happy to. And it grew and grew and grew. We went back and forth with notes, and it became a novel, and at some point it became kind of overwhelming for both of us. I don’t know if I was a good enough writer, and also I think he had a crisis of faith about himself, where he thought, ‘I don’t know if I can make this work.’ We just sort of fell away from it, and tragically, I think it was in 2005, he died. It was very sad.”

Tom Gerencer on Robert Sheckley’s popularity:

“In other countries—in Russia, in Italy, all throughout Europe, in China, all over the world, outside of the US—he was undergoing this renaissance of his work, which I think is now starting to happen here, maybe. I’m starting to feel like it is, and more power to him—if anybody deserves it, it’s him. He’s just brilliant. But back then he was telling me, ‘I’m traveling to Venice. It’s a vacation, but I’m going to be talking about my stories. I’m being interviewed by this person over in Italy, I’m traveling to Russia on a book tour.’ … And he was loving it, you know, I think he was eating it up. He was just like, ‘This is so nice. I didn’t expect this to happen, but it’s fun.’ That was happening for him, and I was really happy that it was happening.”

Tom Gerencer on writers and alcohol:

“I don’t know where that stereotype came about, but it’s so unfortunate, because it’s so not true that you have to experience pain before you can write. Don’t worry, life will give you plenty of pain, you don’t need to go out and seek it through a bottle. But I thought that when I was a kid. I remember buying bottles of Scotch and being like, ‘I’m a writer. I’ve got to have a bottle of Scotch in my apartment.’ And then thank god I stopped, and got away from it. And now that I’m older and I know some successful authors, they don’t do that. … It’s the ones who are disciplined, and who understand that that stereotype is just a stereotype, who I think really end up making it.”


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